The Manitoba Free Press (as the Winnipeg Free Press was known in its early years) played a very large role in the development of the stories for Ravenscraig. Every archived page is available on line through subscription. It’s an amazing resource that has afforded me both inspiration and education in my research for the novel. Imagine my joy in seeing the Saturday edition with a big positive review of Ravenscraig, written by Ron Robinson, a Winnipeg broadcaster and book lover. He writes:
Welcome to Downton Abbey and Upstairs Downstairs with a Winnipeg twist.
Former Winnipeg journalist Sandi Krawchenko Altner has researched and written a wonderful Winnipeg-warts-and-all historical romance set mostly in the early 1900s. It’s a brash, two-faced Winnipeg, but still a recognizable one.
By the way, I have started doing “Skype visits” to book clubs, which are great fun. If your group would like to arrange a Q&A session to talk about Ravenscraig and the stories behind the fiction, I would be delighted to join. Please write to me at Sandi.Altner@gmail.com.
With four weeks on the bestseller list in Winnipeg, Ravenscraig, is finding an audience among both family history enthusiasts as well as people who have a fascination with the Titanic and Winnipeg’s connection to the great disaster. I am grateful and so pleased that there is such a strong interest in stories about how the early immigrants managed in a city that was the fastest growing in the Dominion of Canada.
This week, Bernie Bellan posted his review of Ravenscraig in the Winnipeg Jewish Post and News saying it provides “a fascinating insight into early Jewish migration into Winnipeg.”
Where “Ravenscraig” excels, however, and no doubt why it has become an immediate best-seller locally, is in its description of Winnipeg at the turn of the 20th century and certain key events that are probably unknown to most readers.
For instance, a major typhoid outbreak in 1905 becomes a centerpiece of the novel. In her description of the horrible living conditions of the bulk of the immigrant population in Winnipeg, Krawchenko Altner does a fine job of evoking the misery that accompanied life for so many of our grandparents and great-grandparents.
At the same time the level of corruption in which Winnipeg’s Anglo Saxon leaders engaged is also quite astounding and is brought to life on the pages of this book. “Ravenscraig’ devotes a fair bit of space to the issue of red-light houses in the city and how it was that police and elected officials not only turned a blind eye to the prostitution that was conducted so openly, those same officials profited hugely from its practice.
Bernie Bellan is the editor of the Winnipeg Jewish Post and News, and has a particular affection for Jewish history in Winnipeg. When we talked last week I was delighted to discuss not only Ravenscraig, but also the work of his grandfather, Ruben Bellan, an economics professor who wrote a very informative history book that is in my collection of Manitoba rare books. Winnipeg’s First Century: An Economic History provides a solid road map of sources for those who are interested in further study of Winnipeg’s development.
In his review, Bernie also mentions Allan Levine’s, Coming of Age: A History of the Jewish People of Manitoba. This is a fantastic work that is rich with detail and inspiring stories. Allan has also written a most enjoyable series of historical novels set in Winnipeg that I heartily recommend. These are the Sam Klein mysteries. Allan and I went to high school together at Garden City Collegiate and it was wonderful to see him at the Ravenscraig launch in Winnipeg. Allan’s latest book King, has also just been released.
Three months ago I woke up at three in the morning with this wild idea that I needed to have a QR code on the book jacket of Ravenscraig that would link to a book trailer. I had never seen a QR code on a book jacket, but it seemed like an obvious use for this great technology that allows you to scan the code with your smart phone and link to a web page. What if you could get a quick overview of the story in a video on your phone while you are standing at the bookstore with the novel in your hand?
So much for sleep. I put the coffee on and started working on the book trailer. (My day job is in video production.) Because Ravenscraig is historical fiction, I was able to draw on images that had inspired me along the way in the writing of the book.
The QR code (which stands for Quick Response) is technology that caught my fancy only recently with my own upgrade to a “smart phone”.
Scan, buzz, link, and see the video. Very cool. I am lucky to have tech-savvy friends who helped me see how easy it was to get my own QR code (at no cost) and how to link the video to a “landing page” on my blog, so that I would have the flexibility to update the video and know with certainty that the QR code would link.
This week, it was a thrill to go to McNally Robinson in Winnipeg and see the freshly arrived books on shelves a few days in advance of the launch.
There on the back, you’ll see the QR code ready to scan and take you to the overview of the story in a short video displayed on your phone.
Sometimes those crazy ideas in the middle of the night really are worth a trip to the kitchen for a pot of fresh coffee.
I count myself lucky that I knew so little about the publishing industry when I started writing Ravenscraig. It would have gotten in the way of the writing.
Well over a decade ago, I tasted the freedom of “making up a story”, when I started to play with words outside of work. As a news reporter, my writing was constrained by the rules of truth and responsibility, and a strong journalistic ethic to be unbiased and thorough. It was a tantalizing treat to find that fiction would cut me loose. I could invent anything. Well, not exactly. I’m not the science fiction type and I’m not much for literature that involves flying dragons or dripping daggers. While I love reading history of any kind, as well as mysteries, biographies, political memoires, and even the occasional juicy “beach trash” novel, as a writer, my heart is in historical fiction.
So it was that I gravitated to the news stories of Winnipeg, in the late 19th century and found myself writing a novel. I buried myself in research and learned fascinating tales about a hard living western saloon town bent on success. I spent evenings and weekends combing through the Internet as well as piles of documents, tattered books, scholarly works, newspaper archives and microfilmed testimony from a hundred years ago. I learned about prostitutes, typhoid epidemics, the struggles of immigrants, anti-Semitism, fire fighting in the 1890s, travel in the gilded age, and of course, I became all but swallowed up by the most appealing subject of all: the Titanic.
I developed a great passion for historical research, but it was the people I studied who set my imagination on fire. A parade of characters, some true, some figments, wandered into my mind, demanding that I pay attention and hear what they had to say. Writing their experiences, dealing with their emotions and living with their joys and heartaches became a very fulfilling journey over a great many years.
If you are not a writer, and perhaps, even if you are, about now you might think me a bit of a nut, someone who has imaginary friends to hang out with and lives a small and withered life in the back corner of a dusty library, communing with spirits. I can assure you that I am actually quite well grounded, and deeply content in my life, and that I prefer to sit outside when I write. (I gave up snow for palm trees.) But we can talk more about the satisfaction gained from living as a writer on another day.
A part of every trip to Winnipeg was and is dedicated to research. Most trips started with visiting Burton Lysecki and Karen Sigurdson at the fabulous Burton Lysecki Book Store. They specialize in rare Manitoba works and always kept special books aside for me, and helped me track down works I needed. I also spent a lot of time at the Manitoba Archives, the Manitoba Legislative Library, Heritage Winnipeg, the City of Winnipeg Archives, and the Jewish Historical Society, where I read family accounts of early Winnipeg memories.
More than anything it was the photos of those many years ago that truly inspired my desire to learn more about how people managed.
There was such great poverty and hardship suffered by so many people in the foreign quarter.
It is astonishing to think about it, especially when we look at pictures of children. The Foote collection at the Manitoba Archives is particularly interesting and sobering.
Equally of interest to me was learning about the wealthy class. Winnipeg, like so many other cities with rapid growth at the turn of the century was a city of stark contrasts and home to a number of millionaires who traveled the world, enjoyed theatre, opera and the musical society as well as sports such as curling, golf, and fox hunting. There were two distinct worlds in Winnipeg and undoubtedly many people lived out their entire lives never seeing “how the other half lived”.
In 2009 I was ready to expose my work to friends and family. A cumbersome prospect for a novel of 500 pages. My mother certainly wasn’t going to read anything like this on a computer. I found a print on demand company that charges you by the book. I ordered a few a copies and it was the best thing I could have done. When that box arrived and I opened it, on March 6th, 2009, I was over the moon with excitement. It looked like a book. It hefted like a book. And the best was, it didn’t look like it was going to fall apart. I felt like an author for the first time.
To my utter delight, I had very encouraging feedback from my advance readers. Three comments stand out.
First from my friend Jane, an oncologist in Florida, who called me on a Sunday afternoon: “Sandi, I have to tell you that first I wanted to read this only because you’re my friend, and I’m too polite to have said no to you. I’m a hundred pages in and just had to call to let you know that this is really good.”
Janet, a dear friend in Montreal: “I was reading your book while in line at the grocery store cash register, and I was so taken with the story, I had tears running down my face. The manager offered me a chair, so I could weep in comfort while I finished the chapter.”
My greatest worry was how this was going to read in the Jewish community in Winnipeg. I am a Jew by choice, having converted in 2005. I have no genetic link to Judaism that I know of. My knowledge comes from study so it was very important to me that the story rang true among those whose roots are among the Jewish pioneers of Winnipeg. I sent the draft to Louis Kessler, former president of the Jewish Heritage Centre of Western Canada, whom I first met in Junior High. We were in class together at Edmund Partridge.
Louis sent me this note: “I thought Ravenscraig was superb. You can add another dozen superlatives here. But it is a book that you almost seem to have written specifically for me, being located in Winnipeg, referring to landmarks and locations that have meaning to me, involving Jewish immigrants who resemble what my great-grandparents were like, and reflecting the attitude and hope that I have in life.”
What followed next was sending the book out to publishers. The letters came back gently refusing the work. But one in particular was very encouraging. In evaluating the manuscript, the editor wrote:
“There is a great deal to admire as well as to be charmed by in the novel: Ms Altner’s ability to imagine herself into the minds-and hearts-of characters who are very different from each other, and distant from ourselves by virtue of the traditions and conditions of the time. I learned a great deal about the growth of the city of Winnipeg, which I have always thought one of the most intriguing cities in Canada (western yet not quite, the incubator of fiercely held political/social beliefs, an arts capital), and found the approach to issues such as the pressure to assimilate, never mind outright racism, sensitively and intelligently treated.”
This editor, whom I have never met, but to whom I am indebted, had also provided clues on what was needed to address the weaknesses in the manuscript. I rewrote the book twice over the following 18 months, conjuring up an imaginary version of this editor to rake me over the coals and help me find the path to a cleaner story.
I cautiously put the new version into the hands of a select few new readers. Among them was an old Winnipeg friend who had gone into the film business in Toronto, Greg Klymkiw. Greg was a tremendous help in both his enthusiasm for the work, and his bold statement. “I want to be your editor.” Over several months Greg would “Skype me in” and we’d have these fabulous story building sessions talking about characters, story lines and how to think about writing action as opposed to reflection. I am very grateful for Greg’s valuable and generous input and can only say that if you ever have the opportunity to work with him, you will be truly blessed.
At the same that I was working through new revisions with Greg, Ravenscraig caught the attention of Peter St. John of Heartland Associates and the long road to find a publisher ended in Winnipeg with Heartland purchasing the Canadian rights. Publisher and editor, Barbara Huck, provided the polishing touch to the manuscript and was the driving force to get it out in time for Christmas and Hannukah. This week Ravenscraig is rolling off the presses at Friesens in Altona, Manitoba. A Manitoba story with a Manitoba publisher and a Manitoba printer. I am utterly thrilled that Heartland took this on and was so determined to make this happen.
It is a long and interesting road to bring a book through traditional publishing, especially in these challenging times in the industry. Thank you, Peter and, especially Barbara, for moving mountains to make this dream come true.
You must be logged in to post a comment.